MAT200a |
| |
| | ||
| | One of the most fascinating and overlooked contributions to art in Los Angeles is the effect that the enormous California technology industry has had on it since the 1950s. | |
| | ||
Introduction | Maurice Tuchman, Senior project curator. Description of the project, artists working in corporate settings, contractual relationship between sponsor, artists, the museum as go-between, result in Osaka 1970 world fair p9-29 | |
| Jane Livingston, Curator's thoughts on the Art & Technology project, p43-47 | ||
Commentaries | Time (6.28.1971) | Langlois Foundation [1] | | |
| | ||
| Michael Asher | 3x40’ holograph light, p52 | Hughes | |
| | ||
| John Baldessari | Color plants, changing growth patterns, art by radiowaves, p53 | Heath Co. | |
| | ||
| Iain Baxter | Remote control inflatable sculptures, p53 | Garrett Corp | |
| | ||
| Larry Bell | Psychophysical experiments, P54 | Rand | |
| | ||
| James Lee Byars | Process of collaboration, p58,60 | Hudson | |
| | ||
| Ron Cooper | Projecting light to define space, p78-79 | General Electric | |
| | ||
| Ron Davis | Computers to plot geometric figures, p82 | Cal Comp | |
| | ||
| Jean Dupuy | Words thru microphone to high voltage impulses, etc. p95-100 | Ampex | |
| | ||
| Frederick Eversley | Liquid crystals, p101 | Ampex | |
| | ||
| Oyvind Fahlstrom | Ultralight structures, p102 | |
| | ||
| Hans Haacke | Aerodynamics, condensation cycles, transdyction, info retrieval, p116,117 | Ampex | |
| | ||
| Newton Harrison | Ionization discharge, p118-125 | JPL | |
| | ||
| Robert Irwin, James Turrell | Alpha, psychophysical p127-129 p158 | Garrett | |
| | ||
| R.B. Kitaj | Artist-fabrication process, p160 | Lockheed | |
| | ||
| Rockne Krebs | Laser projection, p165-175 | HP | |
| | ||
| Les Levine | Produced disposable art p193 | CCA | |
| | ||
| Robert Lichtenstein | Film in non-film way, p194-199 | Universal | |
| | ||
| Len Lye | Metal sculpture, p200 | KAiser | |
| | ||
| Jackson Maclow | Random computer poem/texts p201-206 | InfoInternational | |
| | ||
| John McCracken | p223 | LItton | |
| | ||
| Glenn Mackay | Head Lights (Light show) p223 | RCA | |
| | ||
| Robert Morris | Control systems, p238-240 | LSI | |
| | ||
| Bruce Nauman | Holograms, p240 | |
| | ||
| Claes Oldenburg | Moving Icebag, p241,244,252,265,269 | Disney | |
| | ||
| Eduardo Paolozzi | Computer Imagery, p272,273 | Wyle | |
| | ||
| Pulsa | Input/Output System, p275 | |
| | ||
| Jeff Raskin | Module sculpture, Artist/HCI, p276-278 | Mattel | |
| | ||
| Robert Rauschenberg | Muse, p279-280,282-285 | Teledyne | |
| | ||
| James Reischek | Computer design, p289-295 | IBM | |
| | ||
| Richard Serra | Steel structure, p298 | Kaiser Steel | |
| | ||
| Robert Smithson | Raw material dispersal, p320 | American Cement | |
| | ||
| K. Stockhausen/Otto Piene | 8 speaker ambient noise, p322-323 | Ampex/JBLansing | |
| | ||
| Takis | Perpetual Sea movement, p324 | Treadwell | |
| | ||
| Victor Vasarely | $2m large cybernetic screen, p327-328 | IBM | |
| | ||
| Andy Warhol | Communication, 3D flower, p330-336 | Cowles Communication | |
| | ||