| published articles | ||
| interviews | ||
| online/cd-rom projects | ||
| exhibition catalogs | ||
| articles/reviews | ||
| 2006 |
Perspectives on Collaborative
Research & Education in Media Arts Leonardo, MIT Press |
|
| 2005 |
Feintes, doutes & fictions:
Réflexions sur la photographie et les nouvelles technologies Vu Editions, edited by Rodrigue Belanger, Quebec |
|
| 2004 |
Interdisciplinary Collaboration in Digital Media Arts: A Psychological
Perspective on the Production Process Dr. Brigitte Steinheider, George Legrady, Leonardo, Vol. 37, No. 4 pp.315-321, MIT Press |
|
| 2002 |
Pockets Full of Memories:
an interactive museum installation Visual Communication, edited by Theo van Leeuwen, vol 1(2): 163-169, Sage Publications, London, Thousand Oaks, New Delhi |
|
| 2001 |
Narrative and Interactivity "Present Formations", II, edited by Hubertus v. Amelunxen and Antje Krause-Wahl, Gestalt und Diskurs, Muthesius-Hochschule, Kiel |
|
| 2001 |
Modular
Structure and Image/Text Sequences: Comics and Interactive Media "Comix Culture", edited by Ann Magnussen and Hans-Christian Christiansen, University of Copenhagen |
|
| 2000 |
Intersecting
the Virtual and the Real: Space in Interactive Media Installations Wide Angle, edited by Tim Murray, Cornell University, Ithaca, NY
|
|
| 1998 |
Image,
Language, and Belief in Synthesis "George Legrady: From Analogue to Digital", (cd-rom digital version) edited by Jean Gagnon, National Gallery of Canada |
|
| 1996 |
Slippery
Traces: The Postcard Trail "Artintact 3", Zentrum für Kunst und Medien, Karlsruhe, Germany
|
|
| 1995 |
Equivalents
II "Photography After Photography", Edited by Hubertus von Amelunxen Siemens Kultur Programm, Munich, Germany |
|
| 1995 |
Image,
Language, and Belief in Synthesis "Critical Issues in Electronic Media", edited by Simon Penny, SUNY Press |
|
| 1994 |
The
Interface Metaphor in the Digital Archive "revue virtuelle 12", edited by Jean-Louis Boissier, Martine Moinot, Christine van Assche, Centre Georges Pompidou, Paris, France |
|
| Interviews | ||
| 2005 |
The Art of Mapping Statistics, Roberto Simanowski, Dichtung-Digital.com | |
| 2001 |
Pockets Full of Memories, A Conversation with George Legrady, Sven Spieker, Art Margins.com, Santa Barbara | |
| 2001 |
Eternal Summer, George Legrady im Gespräch, Karin Hinterleitner, medienkultur-stuttgart.de, Stuttgart | |
| 1995 |
An Anecdoted Archive from the Cold War, Geert Lovink, "Home Issue", Mediamatic, Vol 8 #2/3, Amsterdam | |
| Digital (Cd-Rom/DVD) Publications | ||
| 2005 | "Making Visible
the Invisible", Seattle Library Data Flow Visualization, CD-ROM,
ICHIM, Digital Culture & Heritage,
Bibliotheque Nationale de France |
|
| 2002 |
the complete artintact, Vols 1-5, 1994-1999, DVD-ROM, ZKM, Hatje
Cantz, Karlsruhe |
|
| 2000 |
L'installation
d'une collection, Round table conference "le récit
interactif: langage et écritures", organized by Prof Jean-Louis
Boissier, Ecole national des arts décoratif, Paris (online document) |
|
| 1998 |
George Legrady: From Analogue to Digital
George Legrady, Jean Gagnon, Pierre Dessureault,
National Gallery of Canada Distribution: Printed Matter, NYC; MOCA, Los
Angeles; Amazon.com |
|
| 1995 |
Slippery
Traces George Legrady, HyperReal Media Productions (with Rosemary Comella) ZKM, Karlsruhe, Germany (in artintact 3 with works by Ken Feingold and Perry Hoberman) Distribution: DAP, NYC; Amazon.com DESCRIPTION: An installation and cd-rom work that explores the use of database structure as a structuring device for non-linear narrative construction. The work refers in style to the nouveau roman writing approach of Robbe-Grillet's Last Year at Marienbad fused with the techno-aesthetics of Blade Runner. |
|
| 1994 |
the
[clearing] George Legrady,
base.arts, San Francisco Distribution: Printed Matter, NYC; base.arts online DESCRIPTION: An interactive project that focuses on the language of American print media’s representation of the Bosnian crisis during the 1993-1994 period. |
|
| 1994 |
An
Anecdoted Archive from the Cold War
George Legrady, HyperReal Media Productions (with Rosemary
Comella) Distribution: Printed Matter, NYC; MOCA, Los Angeles DESCRIPTION: An installation work and CD-ROM about archive construction and the intersection of personal and official narratives in Stalinist Hungary. Over 60 stories and objects in the artist’s possession are classified according to the floorplan of the former Hungarian Communist propaganda museum.
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| Exhibition Catalogs | ||
| 2002 | Future Cinema: The Cinematic Imaginary after Film, curated by Jeffrey Shaw, Peter Weibel, ZKM, Karlsruhe, MIT Press | |
| 2002 | Vectors: Digital Art of Our Time, New York Digital Salon, Bruce Wands, Leonardo Vol 35 (5), MIT Press | |
| 1999 |
Transitional Spaces
Rotunde, Siemens Kultur Programm, Munich, edited by Matthias Winzen |
|
| 1998 |
Interactive Frictions
University of Southern California, Los Angeles |
|
| 1998 |
<COMPACTS> Station Arts Electroniques, Université Rennes, France |
|
| 1998 |
La Coscienza Luccicante Gangemi Editore, Rome, Italy |
|
| 1997 |
Lab 6, International Multimedia
Exhibition Centre for contemporary art, Warsaw, Poland |
|
| 1997 |
Hardware, software, Artware Institut für Bildmedien, ZKM, Karlsruhe, Germany (Catalog & CD-ROM) |
|
| 1997 |
Deep Storage Siemens Kultur Program, Prestel, Munich |
|
| 1997 |
The Butterfly Effect Center for Culture & Communication, (Soros Center for Contemporary Arts), Budapest, (Catalog & CD-ROM of the exhibition ) |
|
| 1996 |
Everybody's Talking
Gemeente Museum Helmond, Helmond, Netherlands |
|
| 1996 |
Osnabrück
European Media Festival, Osnabrück, Germany |
|
| 1996 |
3rd Lyon Biennale of Contemporary
Art, Lyon, France (Catalog & CD-ROM) |
|
| 1996 |
Burning the Interface
(CD-ROM) Museum of Contemporary Art, Sydney, Australia |
|
| 1995 |
Photography After Photography Siemens Kultur Programm, Munich, Germany |
|
| 1995 |
DO NOT ENTER: New Voices,
New Visions 1994 Voyager & Interval Research Lab (CD-ROM features the winning entries of this international competition) |
|
| 1995 |
George Legrady: Interactive
Media Art, Edited by Erkki Huhtamo Rovaniemi Art Museum, Rovaniemi, Finland |
|
| 1995 |
Interactive Media ARC Festival Organized by Construct, Los Angeles |
|
| 1994 |
Artifices 3,
Saint-Denis, France Edited by Anne-Marie Duguet, Jean-Louis Boissier |
|
| Selected Articles & Reviews | ||
| 1999 |
Snap-to-Grid: A User's
Guide to Digital Arts, Media and Cultures Peter Lunenfeld, MIT Press |
|
| 1998 |
Collection/Fabrication
Anne Bénichou, Jacques Doyon, Parachute 92 magazine, Montreal (A comprehensive review of the National Gallery of Canada exhibition) |
|
| 1998 |
Notes
and Dialogues on the Anecdoted Archive of George Legrady Jean Gagnon, associate curator, media arts National Gallery of Canada |
|
| 1998 |
Notes
et dialogues sur l'archive anecdotée de George Legrady Jean Gagnon, conservateur associé, arts médiatiques Musée des beaux-arts du Canada |
|
| 1998 |
Between
"Screen Memories" and "Associative Engines" Tim Druckery, in George Legrady: From Analogue to Digital (CD-ROM) National Gallery of Canada, Canadian Museum of Contemporary Photography |
|
| 1998 |
Entre
les >> souvenirs-écrans << moteurs associatifs >> Tim Druckery, in George Legrady: From Analogue to Digital (CD-ROM) La galerie nationale du Canada, le musée canadien de la photographie contemporaine |
|
| 1998 |
Annotated
Catalogue of Works in the Exhibition Pierre Dessureault, Associate Curator Canadian Museum of Contemporary Photography |
|
| 1998 |
Catalogue
annoté des oeuvres de l'exposition Pierre Dessureault, conservateur associé Musée Canadien de la Photograpie Contemporaine |
|
| 1996 |
Detailed Traces of Secrets Miklos Peternak, ArtintAct 3 , ZKM, Karlsruhe, Germany |
|
| 1996 |
Elusive Tracks and Mise-En-Scene Andrea Zapp, ArtintAct 3 , ZKM, Karlsruhe, Germany |
|
| 1995 |
False
endings, Anecdoted Histories, Deterritorialized Subjects and Central European
Imaginaries Irit Rogoff, ArtintAct 3, Art & Design, London |
|
| 1995 |
[the clearing] Mark
Bartlett, See magazine, Vol 1:1, Winter Friends of Photography, Ansel Adams Center, San Francisco |
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