| Pockets Full of Memories II, 2003-20062 to 4 screen projections, scanning station, 2 terminals, 
                wall design
 
 
 
 
 Conceived as an installation on the topic of the archive, memory 
                and audience participation, "Pockets Full of Memories" 
                was commissioned for the public gallery space of the Centre 
                Pompidou Museum of Modern Art, Paris, where it was exhibited throughout 
                the summer of 2001. The installation has since then been featured 
                at the Dutch Electronic Arts Festival, Rotterdam, February 2003; 
                the Ars Electronica Festival, September 2003; the "Aura" 
                exhibition organized by c3, Budapest, October 2003, the Museum of Contemporary Art Kiasma, Helsinki, May 7 to August 
                1, 2004, and Cornerhouse Gallery, Manchester, January-March, 2005.
 
 "Pockets Full of Memories" is an interactive installation 
                that consists of a data collection station where the public takes 
                a digital image of an object, adds descriptive keywords, and rates 
                its properties using a touchscreen. The data accumulates through-out 
                the length of the exhibition. The Kohonen self-organizing map 
                algorithm is used to organize the data, moving the images of the 
                objects into an ordered state according to similarities defined 
                by the contributors’ semantic descriptions. The archive 
                of objects is projected large-scale on the walls of the gallery 
                space showing various visualizations such as the objects positioned 
                in the 2D matrix, their movement over time, and textual descriptions. 
                The audience can also interact with the data online to access 
                descriptions of the objects and to contribute comments and messages 
                to each object from anywhere in the world.
 
 At the start of the exhibition, the database is empty but grows 
                through the public’s contributions. The algorithm organizes 
                the data throughout the exhibition to arrive at a final ordered 
                state at the end of the exhibition. The phenomenon of proceeding 
                from small local actions (each contribution) to arrive at a final 
                ordered state is called emergence as the order is not determined 
                beforehand but emerges over time through the local interactions 
                generated by the algorithm each time a new object enters the database. 
                In this sense, the system has been defined as 'self-organizing'.
 
 Commissioned by Boris Tissot at the Centre Pompidou, Paris. The project was realized in collaboration with Dr. Timo Honkela, Media Lab, University 
                of Art and Design Helsinki, (Kohonen self-organizing neural-net 
                algorithm); C3 Center for Culture and Communication, Budapest 
                (touchscreen data collection, hardware and software); Projekttriangle, 
                Stuttgart, (design and visual identity); Dr. Brigitte Steinheider, 
                Fraunhofer Institute of Research, Stuttgart / University of Oklahoma, Tulsa (questionniare and data analysis); 
                Andreas Schlegel, (visualization 
                programming); CREATE lab, UC Santa Barbara, (web software development).
 
 With the financial assistance of The Daniel Langlois Foundation 
                for Art, Science, and Technology, Montreal, Canada, the Centre 
                Georges Pompidou, and the Office of Research, UC Santa Barbara.
 
 Interactive Presentation
 
 
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