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Media Arts and Technology

Graduate Program

University of California Santa Barbara

Events

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Abstract

In the lecture "Music Mirrors Mind," composer and director Gene Coleman explores the concepts of Neuroaesthetics and Neuro Music. Coleman defines Neuro Music as an area of research and composition based on the study and application of models and concepts from Auditory Neuroscience. He gives an introduction to his methods to compose Neuro Music, using examples from his recent works. He makes a case for why artists should understand how perception, cognition and thinking work and how they are the basis for creativity. The emerging fields of Neuro Music and Neuroaesthetics in conjunction with new technologies have the potential for enormous impact on the way musicians and artists think about and make their work. Coleman will talk about the influence of architecture and visual art on his work, his experiments with the Neurodata technology called "The Source," the creation of the Institute for Music and Neuroaesthetics and the Neuro Music ensemble CONJURE.

Bio

Gene Coleman is a composer, artistic director of The Institute for Music and Neuroaesthetics and a member of the META lab at UC Santa Barbara. He has received fellowships from the Guggenheim Foundation, the American Academy in Berlin, The US-Japan Friendship Commission and the American Academy in Rome. He has created over 70 works for various instrumentation and media. Central to his work is the inventive use of sound, image and time, and the desire to create experiences that expand our understanding of the world. Since 2001 his work has focused on the global transformation of culture and music’s relationship with neuroscience, video and architecture. His most recent research and compositions explore the concepts of Neuro Music and Neuroaesthetics. He studied painting, music and film making at the School of the Art Institute of Chicago, where his teachers included experimental filmmakers Stan Brakhage and Ernie Gehr, composer Robert Snyder, and visual artists Barbara Rossi and Oliver Jackson. In 2024 his album of Neuro Music called Exploratorium was released on the UK label Falls Walls.

For more information about the MAT Seminar Series, go to:
seminar.mat.ucsb.edu.

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TD Data Unbound

TouchDesigner Workshop

Join an in-person TouchDesigner workshop led by Jarrett Smith (co-founder of Derivative/TouchDesigner), with Nefeli Manoudaki and Iason Paterakis.

Workshop dates: February 6–7
Time: 10am–4pm
Location: transLAB, Elings Hall 2615
Format: In-person only - *bring your own laptop and headphones*

BYO inputs
Bring audio (files and/or gear), a small dataset/database (CSV/JSON), and/or devices (sensor/controller/camera). We’ll focus on bringing these inputs into TouchDesigner and building interactive experiences with them.

Who this is for:
Basic TouchDesigner familiarity is required. This is not a beginner workshop.

Required skills
- TouchDesigner basics (TOP/CHOP/DAT and navigating networks)
- Python (recommended)
- GitHub workflow (recommended)

Prep session (for limited TD experience)
Nefeli and Iason will host a short touch-base session on Jan 31 to cover key components and help you get set up. You will receive an email about the time and location after you reserve your spot!

Workshop materials
Workshop files will be shared through either GitHub or an online storage platform.

Send an email to nefeli (at) ucsb.edu and iason (at) ucsb.edu to reserve your spot! There are only 20 seats available!

Past Events  

News

Çağlarcan described his winning piece "Shadows" as an audiovisual transdisciplinary artwork that explores spiritual and social connections as his music overlays a selection of oil paintings by his brother, Güneş Çağlarcan, an accomplished painter and pianist.

For more information please read the article in the UCSB Current online magazine.

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The fellowship allows Croskey to pursue a project that she is passionate about - enabling marginalized communities to secure their place in the future historical record, ensuring that emergent technologies, such as AI, elevate and empower these groups by reflecting their histories.

"Receiving the NSF GRFP amid our current political climate has given me an even greater sense of responsibility to pursue my research with full force,” Croskey said."

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Read more in the UCSB College of Engineering Newsletter.

This year’s theme was “Myths and Legends”. Other artists receiving the award with Professor Kuchera-Morin were Mary Heebner, Gabriela Ruiz, Manjari Sharma, and Diana Thater.

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The software creates personalized visuals and abstract art in an immersive landscape that is based on the memories of the crew members. The news articles highlight their work on a software pipeline that was being used at the St. Kliment Ohridski base on Livingston Island, Antarctica.

For more information, please see:

UCSB's The Current news magazine article:
New frontiers for well-being in Antarctica and isolated spaces.

Santa Barbara Independent article:
UC Santa Barbara Researchers Design Tools to Combat Isolation in Extreme Environments.

www.iasonpaterakis.com

nefeliman.com

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Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Icescape

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Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Beach

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Iason Paterakis, Nefeli Manoudaki - AI driven visuals: Plains

The title of the NSF award is Dynamic Control Systems for Manual-Computational Fabrication. Professor Jacobs was awarded the NSF Career Award to further her research in integrating skilled manual and material production with computational fabrication.

The CAREER Program offers the NSF's most prestigious awards in support of early-career faculty who have the potential to serve as academic role models in research and education and to lead advances in the mission of their department or organization.

Professor Jacobs thanks all of the amazing members the Expressive Computation Lab whose research contributed the intellectual foundations of this award.

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UCSB News: Making Automation More Human Through Innovative Fabrication Tools

NSF link: Dynamic Control Systems for Manual-Computational Fabrication

Expressive Computation Lab

Past News  

Showcase

Exhibition Catalogs

End of Year Show

About MAT

Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.

In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.

The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.

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