George Legrady Publications


		published articles
		interviews
		online/cd-rom projects
		exhibition catalogs
		articles/reviews

		Selected Published Articles (For updated publication searches, use Google Scholar)
	2019	Making Visible the Invisible: A Data Driven Media Artwork in Continuous Operation for 15 Years, George Legrady, Rama Hoetzlein, Leonardo, Siggraph 2019
	2019	Shifts in the Photographic Paradigm through Digitality & the Aesthetics of Noise, George Legrady in "Digital Art through the Looking Glass: New Strategies for archiving, collecting and preserving Digital Humanities", Donau Universitat, Krems, Austria
	2019	Changement de paradigme pour la photographie numérique, George Legrady, in Architectures de mémoires, edited by jean-Marie Dallet, édition les presses du réel, Paris
	2019	Blanket Toss Under the Midnight Sun, Paul Seesequasis, Random House, Canada
	2015	Imagining Macondo: Interacting with Garcia Marques's Literary Landscape, Angus Forbes, Andres Burbano, George Legrady, IEEE Computer Graphics
	2014	Swarm Vision and the New Everyday, George Legrady, A Media Commons Project
	2013	SwarmVision: autonomous aesthetic multi-camera interaction, George Legrady, Danny Bazo, Marco Pinter, ACM Multimedia, Barcelona
	2013	The James Bay Cree Visual Ethnographic Digital Online Cultural Atlas, George Legrady, Katherine Scott, RJ Duran, 2103 International Conference on Culture and Computing, Kyoto
	2012	Culture, Data & Algorithmic Organization, NetSci conference, Edited by Maximilian Schich, Isabel Meirelles, and Roger Malina
	2012	Voice of Sisyphus: an Image Sonification Multimedia Installation, McGee, R., Dickinson J., Legrady G. ICAD 2012
	2011	Visualizing Trust Propagration at the Device Layer, Mazloom, B., Legrady, G., Tiwari, M., and Sherwood, T.
	2011	Cell Tango: An Evolving Interactive Archive of Cellphone Photography, Forbes, A. G., and Legrady, G
	2010	Form + Code, edited by C.Reas, C.McWilliams, Princeton Architectural Press
	2010	Behaviorism: A Framework for Dynamic Data Visualization, Forbes, A. G., Höllerer, T., and Legrady, G.
	2009	We Are Stardust, Legrady, G., Villegas, J., and Burbano
	2008	Cell Tango et Pockets Full of Memories : Structure de l’archive virtuelles Ciel Variable, Jean Gagnon, edited by Jacques Doyon, Montreal
	2007	Pockets Full of Memories in Database Aesthetics edited by Victoria Vesna, University of Minnesota
	2006	Perspectives on Collaborative Research & Education in Media Arts edited by Yvonne Spielmann, Jay Bolter, Leonardo, MIT Press
	2005	Making Visible the Invisible, Seattle Library Data Flow Visualization, CD-ROM, ICHIM, Digital Culture & Heritage, Bibliotheque Nationale de France
	2005	Feintes, doutes & fictions: Réflexions sur la photographie et les nouvelles technologies Vu Editions, edited by Rodrigue Belanger, Quebec
	2004	Interdisciplinary Collaboration in Digital Media Arts: A Psychological Perspective on the Production Process Dr. Brigitte Steinheider, George Legrady, Leonardo, Vol. 37, No. 4 pp.315-321, MIT Press
	2002	Pockets Full of Memories: an interactive museum installation Visual Communication, edited by Theo van Leeuwen, vol 1(2): 163-169, Sage Publications, London, Thousand Oaks, New Delhi
	2001	Narrative and Interactivity "Present Formations", II, edited by Hubertus v. Amelunxen and Antje Krause-Wahl, Gestalt und Diskurs, Muthesius-Hochschule, Kiel
	2001	Modular Structure and Image/ Sequences: Comics and Interactive Media "Comix Culture", edited by Ann Magnussen and Hans-Christian Christiansen, University of Copenhagen
	2000	Intersecting the Virtual and the Real: Space in Interactive Media Installations Wide Angle, edited by Tim Murray, Cornell University, Ithaca, NY
	1998	Image, Language, and Belief in Synthesis "George Legrady: From Analogue to Digital", (cd-rom digital version) edited by Jean Gagnon, National Gallery of Canada
	1996	Slippery Traces: The Postcard Trail "Artintact 3", Zentrum für Kunst und Medien, Karlsruhe, Germany
	1995	Equivalents II "Photography After Photography", Edited by Hubertus von Amelunxen Siemens Kultur Programm, Munich, Germany
	1995	Image, Language, and Belief in Synthesis "Critical Issues in Electronic Media", edited by Simon Penny, SUNY Press
	1994	The Interface Metaphor in the Digital Archive "revue virtuelle 12", edited by Jean-Louis Boissier, Martine Moinot, Christine van Assche, Centre Georges Pompidou, Paris, France

		Interviews
	2019	Four Questions for George Legrady with Steve Thompson, cabanahome.com
	2016	Interview: George Legrady, Harald Klinke, Liska Surkemper, International Journal for Digital Art History, Munich
	2013	Interview with George Legrady, chair of the media arts & technology program at the University of California, Santa Barbara, Stefan Müller Arisona, Journal of Professional Communication, Art/Science Hybrids
	2010	Information, MAS Context: Issue 7, Iker Gil, Chicago
	2009	BathHouse in Discussion: George Legrady Conversation with Sarah Smarch, editor Bathhouse BHVOL6.2, Eastern Michigan University
	2009	DATA & SURREALISM, Tulsa Kinney, Artillery Vol. 3, Issue 5, Los Angeles
	2009	Kültürel çerçevelerin Disina çikmak, Burak Pak, XXI Archietecture Journal, Istanbul
	2008	Conversations Over Cell Tango, BHVol6.2, Journal #80 Montreal
	2005	The Art of Mapping Statistics, Roberto Simanowski, Dichtung-Digital.com
	2001	Pockets Full of Memories, A Conversation with George Legrady, Sven Spieker, Art Margins.com, Santa Barbara
	2001	Eternal Summer, George Legrady im Gespräch, Karin Hinterleitner, medienkultur-stuttgart.de, Stuttgart
	1995	An Anecdoted Archive from the Cold War, Geert Lovink, "Home Issue", Mediamatic, Vol 8 #2/3, Amsterdam

		Digital Publications
	2005-1998	George Legrady: From Analogue to Digital George Legrady, Jean Gagnon, Pierre Dessureault, National Gallery of Canada, CD-ROM (1998) republished online by the Langlois Foundation for Art, Science, Technology (2005) The exhibition and catalog traces connections between Legrady's early work in photography and recent interactive installation, i.e. the use of found objects, methods of classification and cultural narratives. The design concept is based on two metaphoric references: Information Theory's relation of signal-to-noise and the form of the nineteen sixties' computer card. Articles by curators Pierre Dessureault, Jean Gagnon, theorist Tim Druckrey, and the artist.
	2002	the complete artintact, Vols 1-5, 1994-1999, DVD-ROM, ZKM, Hatje Cantz, Karlsruhe DESCRIPTION: Reissue of all the ZKM cd-roms on one DVD.
	1995	Slippery Traces George Legrady, HyperReal Media Productions (with Rosemary Comella) ZKM, Karlsruhe, Germany CD-ROM (in artintact 3 with works by Ken Feingold and Perry Hoberman) Distribution: DAP, NYC; Amazon.com An installation and cd-rom that explores database structure for non-linear narrative construction. The work refers in style to the nouveau roman writing approach of Robbe-Grillet's Last Year at Marienbad fused with the techno-aesthetics of Blade Runner.
	1994	the [clearing] George Legrady, Disk set, base.arts, San Francisco An interactive project that focuses on the language of American print media’s representation of the Bosnian crisis during the 1993-1994 period.
	1994	An Anecdoted Archive from the Cold War George Legrady, HyperReal Media Productions (with Rosemary Comella) Distribution: Printed Matter, NYC; MOCA, Los Angeles An installation work and CD-ROM. Over 60 stories and objects in the artist’s possession are classified according to the floorplan of the former Hungarian Communist propaganda museum.

		Catalogs (Exhibitions, Monographs, Survey, Compilations)
	2012	Refraction, George Legrady, Edward Cella gallery, Los Angeles
	2009	Art And Electronic Media, Edward A. Shanken, Phaidon, London
	2008	Observe, Steve Nowlin, Art Center Colelge of Design, Pasadena
	2008	China in Transition, Stiftung Ahlers Pro Arte, Hanover
	2007	Art of the Digital Age, Bruce Wands, Thames & Hudson
	2002	Future Cinema: The Cinematic Imaginary after Film, curated by Jeffrey Shaw, Peter Weibel, ZKM, Karlsruhe, MIT Press
	2002	Vectors: Digital Art of Our Time, New York Digital Salon, Bruce Wands, Leonardo Vol 35 (5), MIT Press
	1999	Transitional Spaces Rotunde, Siemens Kultur Programm, Munich, edited by Matthias Winzen
	1998	Interactive Frictions University of Southern California, Los Angeles
	1998	<COMPACTS> Station Arts Electroniques, Université Rennes, France
	1998	La Coscienza Luccicante Gangemi Editore, Rome, Italy
	1997	Lab 6, International Multimedia Exhibition Centre for contemporary art, Warsaw, Poland
	1997	Hardware, software, Artware Institut für Bildmedien, ZKM, Karlsruhe, Germany (Catalog & CD-ROM)
	1997	Deep Storage Siemens Kultur Program, Prestel, Munich
	1997	The Butterfly Effect Center for Culture & Communication, (Soros Center for Contemporary Arts), Budapest, (Catalog & CD-ROM of the exhibition )
	1996	Everybody's Talking Gemeente Museum Helmond, Helmond, Netherlands
	1996	Osnabrück European Media Festival, Osnabrück, Germany
	1996	3rd Lyon Biennale of Contemporary Art, Lyon, France (Catalog & CD-ROM)
	1996	Burning the Interface (CD-ROM) Museum of Contemporary Art, Sydney, Australia
	1995	Photography After Photography Siemens Kultur Programm, Munich, Germany
	1995	DO NOT ENTER: New Voices, New Visions 1994 Voyager & Interval Research Lab (CD-ROM features the winning entries of this international competition)
	1995	George Legrady: Interactive Media Art, Edited by Erkki Huhtamo Rovaniemi Art Museum, Rovaniemi, Finland
	1995	Interactive Media ARC Festival Organized by Construct, Los Angeles
	1994	Artifices 3, Saint-Denis, France Edited by Anne-Marie Duguet, Jean-Louis Boissier

		Selected Articles & Reviews
	2012	93106, University of California Santa Barbara
	2011	George Legrady's Refraction: Research in the Form of a Spectacle, Diane Sippl, KinoCaviar
	2009	Can You See Me Now?, Cate McQuaid, The Boston Globe
	2005	Seattle Public Library Gary Faigin, KUOW, FM, Seattle
	2005	New Piece for Central Library... Regina Hackett, Seattle Post
	1999	Snap-to-Grid: A User's Guide to Digital Arts, Media and Cultures Peter Lunenfeld, MIT Press
	1998	Collection/Fabrication: Regards croisés sur l'oeuvre de George Legrady Anne Bénichou, Jacques Doyon, Parachute 92 magazine, Montreal, pp.24-35 (A comprehensive review of the National Gallery of Canada exhibition)
	1998	Notes and Dialogues on the Anecdoted Archive of George Legrady Jean Gagnon, associate curator, media arts National Gallery of Canada
	1998	Notes et dialogues sur l'archive anecdotée de George Legrady Jean Gagnon, conservateur associé, arts médiatiques Musée des beaux-arts du Canada
	1998	Between "Screen Memories" and "Associative Engines" Tim Druckery, in George Legrady: From Analogue to Digital (CD-ROM) National Gallery of Canada, Canadian Museum of Contemporary Photography
	1998	Entre les >> souvenirs-écrans << moteurs associatifs >> Tim Druckery, in George Legrady: From Analogue to Digital (CD-ROM) La galerie nationale du Canada, le musée canadien de la photographie contemporaine
	1998	Annotated Catalogue of Works in the Exhibition Pierre Dessureault, Associate Curator Canadian Museum of Contemporary Photography
	1998	Catalogue annoté des oeuvres de l'exposition Pierre Dessureault, conservateur associé Musée Canadien de la Photograpie Contemporaine
	1996	Detailed Traces of Secrets Miklos Peternak, ArtintAct 3 , ZKM, Karlsruhe, Germany
	1996	Elusive Tracks and Mise-En-Scene Andrea Zapp, ArtintAct 3 , ZKM, Karlsruhe, Germany
	1996	Detailed Traces of Secrets Miklos Peternak, ArtintAct 3 , ZKM, Karlsruhe, Germany
	1996	Elusive Tracks and Mise-En-Scene Andrea Zapp, ArtintAct 3 , ZKM, Karlsruhe, Germany
	1995	False endings, Anecdoted Histories, Deterritorialized Subjects and Central European Imaginaries Irit Rogoff, ArtintAct 3, Art & Design, London
	1995	[the clearing] Mark Bartlett, See magazine, Vol 1:1, Winter Friends of Photography, Ansel Adams Center, San Francisco