| Instagram | Facebook | NFT | ||
| 2025 Summer |
"Big Data: From Data to Metadata", in Part 3: Information and Systems, "Encyclopedia of New Media Arts" , Bloomsbury Press, London, UK | |
| 2024 Fall | "Conversation" (1987)(1987), in "Digital Witness: Revolutions in Design, Photography and Film", Los Angeles County Museum of Art (Getty PST "Art + Science Collide") | |
| 2024 Fall | AI, Image & Fiber Synthesis, Solo exhibition, Nan Rae Gallery, Woodbury University, Burbank | |
| 2024 Fall | Phantom Waves, "Generative Art", curated by Steve Nowlin, Alyce de Roulet Williamson Gallery, ArtCenter College of Art & Design, Pasadena (Getty PST "Art + Science Collide") | |
| 2024 Spring | Mythic Narratives in MidJourney and Stable Diffusion, International Conference, "Photography in Virtual Culture" University of Westminster and the Photographers' Gallery, London | |
| 2024 Winter | Abstraction Studies: George Legrady's Collaborations and Mythic Narratives, Artillery Magazine, Volume 18, Issue 4, March / April 2024, Los Angeles | |
| 2024 Winter | Anamorph-Lattice, in "Endless Variations", an exhibtion curated by Dominique Moulon, Alain Thibault, and Catherine Bédard at the Canada Cultural Centre, Paris | |
| 2023 Fall | Abstraction Studies, Solo exhibition, Pari Nadimi Gallery, Toronto (Cancelled) | |
| 2023 Fall | Going Home, The Untold Story of Nemaska Eenouch, Cree Nation of Nemaska, Quebec | |
| 2023 Summer | Abstraction Studies, in "A kind of Alchemy: The Work of Art in the Age of Artificial Intelligence", a virtual online exhibition curated by Francesca ALbrezzi and Emily Lawhead, for the DAHJ Gallery, Munich | |
| 2023 Spring | Let's Talk about Archiving Interview by Alejandro Quinones Roa for the "Archive of Digital Art", Center for Image Science, Donau University, Krems, Austria | |
| 2023 Spring | Making Waves A report on the "Phantom Waves" installation at UC Santa Barbara by Debra Herrick, UCSB Press | |
| 2023 Spring | Voice of Sisyphus installation in "Topologies of the Real" curated by Zhang Ga, Shenzhen Museum of Contemporary Art and Urban Planning, China | |
| 2023 Winter | How a Digital Artwork Helped The Seattle Public Library lead in Book Data by Eliza Murray, Communications, Seattle Public Library | |
| 2023 Winter | Intersections of Visual Semiotics and Computation Design, Keynote Lecture on Generative AI, Université de Liège, Belgium | |
| 2022 Fall | Phantom Waves installed at Elings Hall, California NanoSystems Institute | |
| 2021 Fall | Avec George Legrady, archéologies à l’ère numérique, Revue Proteus 17, Cahiers des théories de l'art, Gilles Rouffineau (ESAD) Grenoble-Valence, France | |
| 2020 Fall | Conversation with Cree author Paul Seesequasis [Zoom], Photographic Arts Council, Los Angeles | |
| 2020 Winter | Continuity of the Still Image, article by Jeanette Zwingenberger, Paris, France | |
| 2020 Winter-Spring | Continuity of the Still Image, Inda Gallery, Budapest, Hungary | |
| 2019 Fall | Illustrating Dynamics & Probability, ICERM, Brown University | |
| 2019 Fall | Lecture on Data, Media, Culture and Visual Narrative in Warsaw and the National Film Academy, Lodz, Poland | |
| 2019 Fall | Blanket Toss Under the Midnight Sun, Paul Seesequasis, Random House, Canada | |
| 2019 Fall | Digital Art through the Looking Glass, Edition Donau-Universität, Krems, Austria | |
| 2019 Summer | Making Visible the Invisible 2005-2019, Siggraph 2019, Los Angeles | |
| 2019 Summer | The Ising Model, VisAp'19, Chengdu, China | |
| 2019 Spring | Photo London 2019 Art Fair, Inda Gallery, Budapest | |
| 2019 Spring | From Analog to Digital keynote Lecture, Central Academy of Fine Arts, Beijing, China | |
| 2019 Spring | Graham Foundation Advanced Studies in Fine Arts publication award, Chicago | |
| 2019 Winter | StarGazers: Contemporary Art & Astronomy, Orange Coast College | |
| 2019 Winter | A Brilliant Spectrum, Santa Barbara Museum of Art | |
| 2019 Winter | Art & Artificial Intelligence, College Art association Conference, NYC | |
| 2018 Fall | Ising Model: Blink, Siggraph Asia, Tokyo 2018 | |
| 2018 Fall | Four-Dimensional Universe, Edward Cella Gallery, Los Angeles | |
| 2018 Fall | George Legrady, Photo Alliance, San Francisco Art Institute | |
| 2018 Winter | Visiting Fellow, iCinema, University of New South Wales, Sydney | |
| 2018 Winter-Spring | James Bay Cree in 1973, Art & Architecture Hall, UC Santa Barbara | |
| 2017 Fall | Projects in Visualizing Data, EPFL (Ecole Polytechnique) Lausanne | |
| 2017 Fall | Visiting Scholar, Institut des mines-telecom, ParisTech, Paris | |
| 2017 Fall | Voice of Sisyphus, in Datumsoria, ZKM, Karlsruhe | |
| 2017 Summer | Anamorphic Fluid, Currents New Media, Santa Fe | |
| 2017 Spring | Footprints: A Walk through Generations: Aanischaaukamikw Cultural Institute, Quebec | |
| 2017 Winter | Snapshot of Eeyou Istchee, the Nation of the Cree | |
| 2016 Fall | Photographs of a Cree Community, HyperAllergic | |
| 2016 Fall | Photograph of the Cree, Creative Capital Blog | |
| 2016 Fall | Neuroscience, Psychiatry and Art Conference, UCLA, Los Angeles | |
| 2016 Summer | Anamorphic Fluid in SV+VS at Dongdaemun Design Plaza, Seoul, Korea | |
| 2016 Spring | John Simon Guggenheim Fellowship, NYC | |
| 2016 Winter | Digital Arts Lecture, Pratt Institute, Brooklyn | |
| 2016 Winter | Shift, Stretch, Expand, Museum of Contemporary Art, Santa Barbara | |
| 2016 Winter | Language of Perpetual Conditions, Cal State University, Los Angeles | |
| 2016 Winter | Artsy (review), Los Angeles | |
| 2016 Winter | Los Angeles Times, (review) Los Angeles | |
| 2015 Fall | Day & Night (NewsHawk) (UCSB Current), Edward Cella Gallery, Los Angeles | |
| 2015-2016 Winter | Day & Night, (Installation photos) Edward Cella Gallery, Los Angeles | |
| 2015 Fall | Archiving Online, Wolfgang Ernst, Looters, Smugglers, Collectors, Onstad Kunstsenter, Norway | |
| 2015 Fall | Architectures de Mémoire, Paris, France | |
| 2015 Fall | Autovision in Communication & Control, Fotofest Mannheim, Heidelberg, Germany | |
| 2015 Fall | InfoSphere, ZKM (Center Media Art & Media), Karlsruhe, Germany | |
| 2015 Summer | Constructions, Edward Cella Gallery, Los Angeles | |
| 2015 Summer | Voice of Sisyphus | Slice, Chronus Art Center, Shanghai, China | |
| 2015 Summer | Digital Technologoies as Medium for Cultural Narrative, Chronus Art Center, Shanghai, China | |
| 2015 Spring | Imagining Macondo, Bogota International Art fair, Colombia | |
| 2015 Spring | Anecdoted Archive, Center for Digital Cultures, Brussels, Belgium | |
| 2014 Fall | Voice of Sisyphus, IEEE VisWeek 2014 , Paris | |
| 2014 Fall | Arte y Ciencia de Interfaz, Planetario de Bogota, Bogota, Colombia | |
| 2014 Fall-2015 Spring | Clocks for Seeing: Time and Motion, National Gallery of Canada, Ottawa | |
| 2014 Fall | 6018, Edward Cella Gallery , Los Angeles | |
| 2014 Fall | Texas Contemporary, Edward Cella Gallery, , Los Angeles | |
| 2014 Fall | International Conference on Digital Intelligence, Nantes, France | |
| 2014 Fall | Exquisite Vision, ISEA (International Society for Electronic Arts), Dubai | |
| 2014 Spring | Interrogating-Methodologies Conference,UCSB | |
| 2014 Winter | Swarm Vision and the New Everyday, Media Commons, NY | |
| 2013 Fall | Miami Project, Art Basel, Edward Cella Gallery | |
| 2013 Fall | Swarm Vision, Run Run Shaw Media Centre, Hong Kong | |
| 2013 Fall | Voice of Sisyphus, Sight & Sound, Beall Center for Art & Technology, UC Irvine | |
| 2013 Fall | On the Road, Pari Nadimi Gallery, Toronto | |
| 2013 Fall | Reflections on the Computational Photograph, Kreber Verlag, Bielefeld | 2013 Fall | Swarm Vision, Vox Gallery, Mois de la Photo à Montreal |
| 2013 Summer | Swarm Vision, ACM Siggraph, Anaheim | |
| 2013 Spring-Summer | Algorithmic Animations in Data Curation, Seoul National University, Seoul, Korea | |
| 2013 Fall-2013 Summer | Refraction 21c Museum hotel, Cincinnati | |
| 2012 Fall | Space Interdisciplinary Panel, SMMMASH, Stanford University, Palo Alto | |
| 2012 Fall | Data is Beautiful, Hungarian Academy of Fine Arts, Budapest | |
| 2012 Fall | Refraction, Nature Morte Gallery, Berlin | |
| 2012 Summer | Refraction in Stage Presence, San Francisco Museum of Modern Art, San Francisco | |
| 2012 Summer | James Bay Cree Research Award (National Science Foundation ARC) | |
| 2012 Spring | Seattle Library Project Data Visualizations at VisWeek 2012, Seattle | |
| 2012 Spring | Slice in EMOÇÃO ART.FICIAL 6.0, Itau Institute, Sao Paulo, Brazil | |
| 2012 Spring | 93106 (university press release) UC Santa Barbara | |
| 2011 Fall | Refraction, Edward Cella Gallery, Los Angeles | |
| 2011 Fall | Science & Tech Workshop Invitation, National Science Foundation, Arlington, VA | |
| 2011 Fall | ISEA Istanbul, Presentations on Cell Tango and Data visualization | |
| 2011 Fall | Visually Applied Robotics National Science Foundation (IIS) | |
| 2011 Fall | Robert W. Deutsch Foundation fellowship recipient | |
| 2011 Fall | Data Visualization Visiting faculty, fall semester at the New School, New York | |
| 2011 Fall | Machine Vision lecture, ZKM (Center for Art & Technology), Karlsruhe, Germany | |
| 2011 Spring | Arts, Humanities and Complex Numbers at NetSci Conference, Ludwig Museum, Budapest | |
| 2011 Spring | Projects in Data Visualization at TEDxsv, Stanford Graduate School of Business | |
| 2011 Winter | Science, Memory, Art, Panel at Edward Cella Gallery, Los Angeles | |
| 2011 Winter | Refraction [catalog] is now available at blurb.com | |
| 2011 Winter | Cell Tango in Spread, exhibition, curated by Off-Space, SOMArts, San Francisco | |
| 2010 Fall | Data Workshop, HEAD, Haute Ecole d'Art & Design, Geneva | |
| 2010 Fall | Interview, MAS Context: Issue 7 Information, MAS Studio, Chicago | |
| 2010 Fall | Cell Tango, Mediations Biennale, Poznan, Poland | |
| 2010 Fall | Form+Code, edited by C.Reas, C.McWilliams, Princeton Architectural Press | |
| 2010 Spring | Making Visible the Invisible, in Art + Science, Thames & Hudson, Stephen Wilson | |
| 2010 Spring | Cell Tango, featured artwork at the Lawrence Hall of Science, Berkeley, CA | |
| 2010 Winter | We Are Stardust at CODE Live, Vancouver Olympics, Vancouver, BC | |
| 2009 fall | Agency & Algorithms keynote lecture at Interactive Futures, Vancouver, BC | |
| 2009 Summer-fall | Can You See Me Now? review, Boston Globe, Mass | |
| 2009 Summer-fall | Cell Tango Davis Museum, Wellesley College, Mass | |
| 2009 Summer-fall | Blink, Nevada Museum of Art, Reno | |
| 2009 Summer | Retelling inaugural in Shangha eArts Beyond, Shanghai | |
| 2009 Summer | Blink and Stardust,Edward Cella Gallery, Los Angeles | |
| 2009 Summer | Interview with Tulsa Kinney, Artillery, Los Angeles | |
| 2009 Spring | Anecdoted Archive from the Cold War, in "Histoire à l'ère numérique" Plug-In Gallery, Basel | |
| 2009 Winter-spring | Blink, Stiftung Ahlers Pro Arte, Hanover, Germany | |
| 2009 Winter | Making Visible the Invisible, in Art & Electronica Media, Phaidon, Edward Shanken | |
| 2008 Fall | George Legrady’s Images in Transit [portfolio] by Jean Gagnon, Ciel Variable, Montreal | |
| 2008 Fall | Blink, collection of DE Shaw Group, Global Investment [research] | |
| 2008 Fall | Stardust, Edward Cella Gallery for Art & Architecture, Los Angeles | |
| 2008 Fall | Cinema, interactivité, société, European School of the Image, Poitiers, France | |
| 2008 Fall | China in Transition, for Stiftung Ahlers Pro Arte, Hanover, Germany | |
| 2008 Fall | Public Memories Conference, Syracuse University, Syracuse | |
| 2008 Fall | Keynote lecture, Garanti Contemporary Art Center, Istanbul, Turkey | |
| 2008 Summer-Fall | Data Flow, Commission by Gensler for Corporate Executive Board, Arlington,. VA | |
| 2008 Fall | We Are Stardust, with Caltech NASA Spitzer Center and the Art Center College of Design | |
| 2008 Fall | Cell Tango, Inauguration at the National Theatre, TAP, Poitiers, France | |
| 2008 Fall | Anecdoted Archive from the Cold War, in Drifting Slowly, Pari Nadimi Gallery, Toronto | |
| 2007 Fall | Master Class, Haute Ecole Supérieur de Design, Geneva | |
| 2007 Fall | Visualizations & Algorithms, Fundacion Telefonica, Buenos Aires | |
| 2007 Summer | Algorithmic Visualizations, Edward Cella Gallery for Art & Architecture, Santa Barbara | |
| 2007 Summer | Pockets Full of Memories, in Zone V2_, Museum of Contemporary Art, Taipei | |
| 2007 Summer | Visual Studies Conference, Scholarly Communication Institute, University of Virginia | |
| 2007 Summer | Global Collaborative Visual Mapping Archive, National Academy of Sciences, Washington | |
| 2007 Summer | Blink, Installation at the Santa Barbara Museum of Art | |
| 2007 Spring | Data Visualization, Workshop, Haute Ecole Supérieur de Design, Geneva | |
| 2006 Fall | Data Visualization, Workshop, International New Media Institute, Luebeck | |
| 2006 Fall | Algorithmic Visualizations, Solo exhibition Pari Nadimi Gallery, Toronto | |
| 2006 Fall | ACM Multimedia 2006, Co-chair of Art Exhibition Program, UCSB | |
| 2006 Summer | Global Collaborative Visual Mapping Archive, Premiere at ISEA, San Jose | |
| 2006 Summer | Polyptic, 2006 International Beijing Media Festival, Millenium Art Museum, Beijing | |
| 2006 Spring | Pockets Full of Memories, Frankfurt Museum of Communication | |
| 2006 Fall | Data Visualization, Workshop, Ecole Superieur de l'Image, Angouleme/Poitiers | |
| 2006 Winter | BlackBox Invitational, Curated by Christiane Paul, ARCO Art Fair, Madrid | |
| 2006 Winter | Algorithmic Visualizations , Telic Gallery, Los Angeles | |
| 2005 Fall | Art of Mapping Statistics , Interview with Roberto Simanowski | |
| 2005 Fall | Making Visible the Invisible, Whitney Museum Artport Portal | |
| 2005 Fall | Intelligencer, Stranger, Seattle Public Library Reviews | |
| 2005 Fall | Kinetic Flow, Commission for the Los Angeles Metro Rail Subway | |
| 2005 Summer | International Conference for Science & Technology into Society, KAIST, Seoul, Korea | |
| 2005 Spring | Transliteracies, Conference on Online Reading, UCSB | |
| 2005 Spring | Calculating Images, Conference on the Algorithmic Image, UCSB | |
| 2005 Spring | George Legrady, (Interactive Publication) Langlois Foundation, Montreal | |
| 2005 Winter | Meta Narratives, Fundacio La Caixa, Barcelona | |
| 2005 Winter | Pockets Full of Memories, solo exhibition, Cornerhouse Gallery, Manchester | |
| 2005-2014 | Making Visible the Invisible Public arts commission, Seattle Public Library | |
| 2004 Fall-2005 Winter | Algorithmic Visualizations, solo exhibition at the Philbrook Museum of Art, Tulsa | |
| 2004 Fall-2005 Winter | Slippery Traces, in "Database Imaginary", Banff Centre for the Arts | |
| 2004 Fall | Distributed Form, Architecture Media & Design Symposia, UC Berkeley | |
| 2004 Summer | Est-ce que l'art à besoin du numérique, le centre culturel de Cerisy-la-Salle, France | |
| 2004 Summer | Pockets Full of Memories Seminar, with academician Teuvo Kohonen, Kiasma, Helsinki | |
| 2004 Spring-Summer | Pockets Full of Memories II, Museum of Contemporary Art Kiasma, Helsinki | |
| 2004 Winter | Interdisciplinary Collaborative Process, Interaction Design Institute, Ivrea, Italy | |
| 2003 Fall | Pockets Full of Memories II "Aura", c3 Center for Culture and Communication, Budapest | |
| 2003 Fall | Pockets Full of Memories II, Honorable mention, Vida 6.0, Fundacion Telefonica, Madrid | |
| 2003 Fall | Seattle Public Library Project Proposal Phase I | |
| 2003 Summer | Pockets Full of Memories, honorable mentions at Ars Electronica Festival, Linz | |
| 2003 April | Vectors: Digital Art of Our Time, New York Digital Salon | |
| 2003 February | Pockets Full of Memories at DEAF 03, Rotterdam | |
| 2002 November | Arts & Industry Collaboration Symposium, Co-organizer George Legrady, Lake Arrowhead | |
| 2002 Fall-2003 Spr | Slippery Traces in Future Cinema at ZKM, Karlsruhe, Germany | |
| 2002 Fall | Sensing Speaking Space and panels at ISEA 2002, Nagoya, Japan | |
| 2002 Fall | Chance Encounters Los Angeles Metrorail Art Commission, Los Angeles | |
| 2002 Summer | Creative Capital Foundation, Emerging Fields Grant Recipient | |
