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Instagram | Facebook | NFT
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2024 Fall |
AI, Image & Fiber Synthesis, Solo exhibition, Nan Rae Gallery, Woodbury University, Burbank
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2024 Winter |
Anamorph-Lattice, in an exhibtion curated by Dominique Moulon, Alain Thibault, and Catherine Bédard at the Canada Cultural Centre, Paris
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2023 Fall |
Abstraction Studies, Solo exhibition, Pari Nadimi Gallery, Toronto
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2023 Summer |
Abstraction Studies, in "A kind of Alchemy: The Work of Art in the Age of Artificial Intelligence", a virtual online exhibition curated by Francesca ALbrezzi and Emily Lawhead, for the DAHJ Gallery, Munich
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2023 Spring |
Let's Talk about Archiving Interview by Alejandro Quinones Roa for the "Archive of Digital Art", Center for Image Science, Donau University, Krems, Austria
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2023 Spring |
Making Waves A report on the "Phantom Waves" installation at UC Santa Barbara by Debra Herrick, UCSB Press
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2023 Spring |
Voice of Sisyphus installation in "Topologies of the Real" curated by Zhang Ga, Shenzhen Museum of Contemporary Art and Urban Planning, China
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2023 Winter |
How a Digital Artwork Helped The Seattle Public LIbrary lead in Book Data by Eliza Murray, Communications, Seattle Public Library
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2023 Winter |
Intersections of Visual Semiotics and Computation Design, Keynote Lecture on Generative AI, Université de Liège, Belgium |
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2022 Fall |
Phantom Waves installed at Elings Hall, California NanoSystems Institute
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2021 Fall |
Avec George Legrady, archéologies à l’ère numérique, Revue Proteus 17, Cahiers des théories de l'art, Gilles Rouffineau (ESAD) Grenoble-Valence, France
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2020 Fall |
Conversation with Cree author Paul Seesequasis [Zoom], Photographic Arts Council, Los Angeles
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2020 Winter |
Continuity of the Still Image, article by Jeanette Zwingenberger, Paris, France
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2020 Winter-Spring |
Continuity of the Still Image, Inda Gallery, Budapest, Hungary
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2019 Fall |
Illustrating Dynamics & Probability, ICERM, Brown University
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2019 Fall |
Lecture on Data, Media, Culture and Visual Narrative in Warsaw and the National Film Academy, Lodz, Poland |
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2019 Fall |
Blanket Toss Under the Midnight Sun, Paul Seesequasis, Random House, Canada |
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2019 Fall |
Digital Art through the Looking Glass, Edition Donau-Universität, Krems, Austria |
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2019 Summer |
Making Visible the Invisible 2005-2019, Siggraph 2019, Los Angeles |
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2019 Summer |
The Ising Model, VisAp'19, Chengdu, China
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2019 Spring |
Photo London 2019 Art Fair, Inda Gallery, Budapest |
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2019 Spring |
From Analog to Digital keynote Lecture, Central Academy of Fine Arts, Beijing, China |
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2019 Spring |
Graham Foundation Advanced Studies in Fine Arts publication award, Chicago |
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2019 Winter |
StarGazers: Contemporary Art & Astronomy, Orange Coast College |
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2019 Winter |
A Brilliant Spectrum, Santa Barbara Museum of Art |
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2019 Winter |
Art & Artificial Intelligence, College Art association Conference, NYC |
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2018 Fall |
Ising Model: Blink, Siggraph Asia, Tokyo 2018 |
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2018 Fall |
Four-Dimensional Universe, Edward Cella Gallery, Los Angeles |
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2018 Fall |
George Legrady, Photo Alliance, San Francisco Art Institute |
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2018 Winter |
Visiting Fellow, iCinema, University of New South Wales, Sydney |
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2018 Winter-Spring |
James Bay Cree in 1973, Art & Architecture Hall, UC Santa Barbara |
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2017 Fall |
Projects in Visualizing Data, EPFL (Ecole Polytechnique) Lausanne |
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2017 Fall |
Visiting Scholar, Institut des mines-telecom, ParisTech, Paris |
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2017 Fall |
Voice of Sisyphus, in Datumsoria, ZKM, Karlsruhe |
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2017 Summer |
Anamorphic Fluid, Currents New Media, Santa Fe |
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2017 Spring |
Footprints: A Walk through Generations: Aanischaaukamikw Cultural Institute, Quebec |
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2017 Winter |
Snapshot of Eeyou Istchee, the Nation of the Cree |
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2016 Fall |
Photographs of a Cree Community, HyperAllergic |
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2016 Fall |
Photograph of the Cree, Creative Capital Blog |
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2016 Fall |
Neuroscience, Psychiatry and Art Conference, UCLA, Los Angeles |
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2016 Summer |
Anamorphic Fluid in SV+VS at Dongdaemun Design Plaza, Seoul, Korea |
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2016 Spring |
John Simon Guggenheim Fellowship, NYC |
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2016 Winter |
Digital Arts Lecture, Pratt Institute, Brooklyn |
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2016 Winter |
Shift, Stretch, Expand, Museum of Contemporary Art, Santa Barbara |
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2016 Winter |
Language of Perpetual Conditions, Cal State University, Los Angeles |
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2016 Winter |
Artsy (review), Los Angeles |
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2016 Winter |
Los Angeles Times, (review) Los Angeles |
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2015 Fall |
Day & Night (NewsHawk) (UCSB Current), Edward Cella Gallery, Los Angeles |
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2015-2016 Winter |
Day & Night, (Installation photos) Edward Cella Gallery, Los Angeles |
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2015 Fall |
Archiving Online, Wolfgang Ernst, Looters, Smugglers, Collectors, Onstad Kunstsenter, Norway |
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2015 Fall |
Architectures de Mémoire, Paris, France |
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2015 Fall |
Autovision in Communication & Control, Fotofest Mannheim, Heidelberg, Germany |
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2015 Fall |
InfoSphere, ZKM (Center Media Art & Media), Karlsruhe, Germany |
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2015 Summer |
Constructions, Edward Cella Gallery, Los Angeles |
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2015 Summer |
Voice of Sisyphus | Slice, Chronus Art Center, Shanghai, China |
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2015 Summer |
Digital Technologoies as Medium for Cultural Narrative, Chronus Art Center, Shanghai, China |
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2015 Spring |
Imagining Macondo, Bogota International Art fair, Colombia |
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2015 Spring |
Anecdoted Archive, Center for Digital Cultures, Brussels, Belgium |
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2014 Fall |
Voice of Sisyphus, IEEE VisWeek 2014
, Paris |
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2014 Fall |
Arte y Ciencia de Interfaz, Planetario de Bogota,
Bogota, Colombia |
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2014 Fall-2015 Spring |
Clocks for Seeing: Time and Motion, National Gallery of Canada, Ottawa |
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2014 Fall |
6018, Edward Cella Gallery
, Los Angeles |
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2014 Fall |
Texas Contemporary, Edward Cella Gallery,
, Los Angeles |
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2014 Fall |
International Conference on Digital Intelligence, Nantes, France |
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2014 Fall |
Exquisite Vision, ISEA (International Society for Electronic Arts),
Dubai |
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2014 Spring |
Interrogating-Methodologies
Conference,UCSB |
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2014 Winter |
Swarm Vision and the New Everyday, Media Commons, NY |
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2013 Fall |
Miami Project, Art Basel, Edward Cella Gallery |
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2013 Fall |
Swarm Vision, Run Run Shaw Media Centre, Hong Kong |
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2013 Fall |
Voice of Sisyphus, Sight & Sound, Beall Center for Art & Technology, UC Irvine |
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2013 Fall |
On the Road, Pari Nadimi Gallery, Toronto |
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2013 Fall |
Reflections on the Computational Photograph, Kreber Verlag, Bielefeld |
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2013 Fall |
Swarm Vision, Vox Gallery, Mois de la Photo à Montreal |
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2013 Summer |
Swarm Vision, ACM Siggraph, Anaheim |
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2013 Spring-Summer |
Algorithmic Animations in Data Curation, Seoul National University, Seoul, Korea |
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2013 Fall-2013 Summer |
Refraction 21c Museum hotel, Cincinnati |
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2012 Fall |
Space Interdisciplinary Panel, SMMMASH, Stanford University, Palo Alto |
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2012 Fall |
Data is Beautiful, Hungarian Academy of Fine Arts, Budapest |
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2012 Fall |
Refraction, Nature Morte Gallery, Berlin |
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2012 Summer |
Refraction in Stage Presence, San Francisco Museum of Modern Art, San Francisco |
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2012 Summer |
James Bay Cree Research Award (National Science Foundation ARC) |
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2012 Spring |
Seattle Library Project Data Visualizations at VisWeek 2012, Seattle |
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2012 Spring |
Slice in EMOÇÃO ART.FICIAL 6.0, Itau Institute, Sao Paulo, Brazil |
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2012 Spring |
93106 (university press release) UC Santa Barbara |
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2011 Fall |
Refraction, Edward Cella Gallery, Los Angeles |
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2011 Fall |
Science & Tech Workshop Invitation, National Science Foundation, Arlington, VA |
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2011 Fall |
ISEA Istanbul, Presentations on Cell Tango and Data visualization |
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2011 Fall |
Visually Applied Robotics National Science Foundation (IIS) |
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2011 Fall |
Robert W. Deutsch Foundation fellowship recipient |
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2011 Fall |
Data Visualization Visiting faculty, fall semester at the New School, New York |
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2011 Fall |
Machine Vision lecture, ZKM (Center for Art & Technology), Karlsruhe, Germany |
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2011 Spring |
Arts, Humanities and Complex Numbers at NetSci Conference, Ludwig Museum, Budapest |
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2011 Spring |
Projects in Data Visualization at TEDxsv, Stanford Graduate School of Business |
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2011 Winter |
Science, Memory, Art, Panel at Edward Cella Gallery, Los Angeles |
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2011 Winter |
Refraction [catalog] is now available at blurb.com |
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2011 Winter |
Cell Tango in Spread, exhibition, curated by Off-Space, SOMArts, San Francisco |
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2010 Fall |
Data Workshop, HEAD, Haute Ecole d'Art & Design, Geneva |
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2010 Fall |
Interview, MAS Context: Issue 7 Information, MAS Studio, Chicago |
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2010 Fall |
Cell Tango, Mediations Biennale, Poznan, Poland |
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2010 Fall |
Form+Code, edited by C.Reas, C.McWilliams, Princeton Architectural Press |
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2010 Spring |
Making Visible the Invisible, in Art + Science, Thames & Hudson, Stephen Wilson |
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2010 Spring |
Cell Tango, featured artwork at the Lawrence Hall of Science, Berkeley, CA |
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2010 Winter |
We Are Stardust at CODE Live, Vancouver Olympics, Vancouver, BC |
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2009 fall |
Agency & Algorithms keynote lecture at Interactive Futures, Vancouver, BC |
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2009 Summer-fall |
Can You See Me Now? review, Boston Globe, Mass |
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2009 Summer-fall |
Cell Tango Davis Museum, Wellesley College, Mass |
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2009 Summer-fall |
Blink, Nevada Museum of Art, Reno |
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2009 Summer |
Retelling inaugural in Shangha eArts Beyond, Shanghai |
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2009 Summer |
Blink and Stardust,Edward Cella Gallery, Los Angeles |
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2009 Summer |
Interview with Tulsa Kinney, Artillery, Los Angeles |
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2009 Spring |
Anecdoted Archive from the Cold War, in "Histoire à l'ère numérique" Plug-In Gallery, Basel |
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2009 Winter-spring |
Blink, Stiftung
Ahlers Pro Arte, Hanover, Germany |
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2009 Winter |
Making Visible the Invisible, in Art & Electronica Media, Phaidon, Edward Shanken |
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2008 Fall |
George Legrady’s Images in Transit [portfolio] by Jean Gagnon, Ciel Variable, Montreal |
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2008 Fall |
Blink,
collection of DE Shaw Group, Global Investment [research] |
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2008 Fall |
Stardust, Edward Cella Gallery for Art & Architecture, Los Angeles |
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2008 Fall |
Cinema,
interactivité, société, European
School of the Image, Poitiers, France |
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2008 Fall |
China
in Transition, for Stiftung
Ahlers Pro Arte, Hanover, Germany |
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2008 Fall |
Public
Memories Conference, Syracuse
University, Syracuse |
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2008 Fall |
Keynote lecture, Garanti Contemporary Art Center, Istanbul, Turkey |
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2008 Summer-Fall |
Data
Flow, Commission by Gensler for Corporate
Executive Board, Arlington,. VA |
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2008 Fall |
We
Are Stardust, with Caltech NASA
Spitzer Center and the Art
Center College of Design |
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2008 Fall |
Cell
Tango, Inauguration at the National
Theatre, TAP, Poitiers, France |
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2008 Fall |
Anecdoted
Archive from the Cold War, in Drifting Slowly, Pari Nadimi
Gallery, Toronto |
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2007 Fall |
Master
Class, Haute Ecole Supérieur de Design, Geneva |
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2007 Fall |
Visualizations
& Algorithms, Fundacion
Telefonica, Buenos Aires |
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2007 Summer |
Algorithmic
Visualizations, Edward
Cella Gallery for Art & Architecture, Santa Barbara |
|
2007 Summer |
Pockets
Full of Memories, in Zone
V2_, Museum
of Contemporary Art, Taipei |
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2007 Summer |
Visual
Studies Conference, Scholarly
Communication Institute, University of Virginia |
|
2007 Summer |
Global
Collaborative Visual Mapping Archive, National
Academy of Sciences, Washington |
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2007 Summer |
Blink,
Installation at the Santa Barbara Museum
of Art |
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2007 Spring |
Data
Visualization, Workshop, Haute Ecole Supérieur
de Design, Geneva |
|
2006 Fall |
Data
Visualization, Workshop, International New Media Institute,
Luebeck |
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2006 Fall |
Algorithmic Visualizations,
Solo exhibition Pari
Nadimi Gallery, Toronto |
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2006 Fall |
ACM
Multimedia 2006, Co-chair of Art
Exhibition Program, UCSB |
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2006 Summer |
Global
Collaborative Visual Mapping Archive, Premiere
at ISEA, San Jose |
|
2006 Summer |
Polyptic,
2006 International
Beijing Media Festival, Millenium Art Museum, Beijing |
|
2006 Spring |
Pockets
Full of Memories, Frankfurt
Museum of Communication |
|
2006 Fall |
Data
Visualization, Workshop, Ecole Superieur de l'Image, Angouleme/Poitiers |
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2006 Winter |
BlackBox
Invitational, Curated
by Christiane Paul, ARCO Art Fair, Madrid |
|
2006 Winter |
Algorithmic
Visualizations , Telic
Gallery, Los Angeles |
|
2005 Fall |
Art
of Mapping Statistics , Interview
with Roberto Simanowski |
|
2005 Fall |
Making
Visible the Invisible, Whitney
Museum Artport Portal |
|
2005 Fall |
Intelligencer,
Stranger,
Seattle Public Library Reviews |
|
2005 Fall |
Kinetic
Flow, Commission for the Los Angeles Metro Rail Subway |
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2005 Summer |
International
Conference for Science & Technology into Society, KAIST,
Seoul, Korea |
|
2005 Spring |
Transliteracies,
Conference on Online Reading, UCSB |
|
2005 Spring |
Calculating
Images, Conference on the Algorithmic Image, UCSB |
|
2005 Spring |
George
Legrady, (Interactive
Publication) Langlois
Foundation, Montreal |
|
2005 Winter |
Meta
Narratives, Fundacio
La Caixa, Barcelona |
|
2005 Winter |
Pockets
Full of Memories, solo exhibition, Cornerhouse
Gallery, Manchester |
|
2005-2014 |
Making
Visible the Invisible Public arts commission, Seattle
Public Library |
|
2004 Fall-2005
Winter |
Algorithmic
Visualizations, solo exhibition at the Philbrook
Museum of Art, Tulsa |
|
2004 Fall-2005
Winter |
Slippery
Traces, in "Database
Imaginary", Banff
Centre for the Arts |
|
2004 Fall |
Distributed
Form, Architecture Media & Design Symposia, UC Berkeley |
|
2004 Summer |
Est-ce
que l'art à besoin du numérique, le centre
culturel de Cerisy-la-Salle, France |
|
2004 Summer |
Pockets
Full of Memories Seminar, with academician Teuvo Kohonen,
Kiasma, Helsinki |
|
2004 Spring-Summer |
Pockets
Full of Memories II, Museum of Contemporary Art Kiasma,
Helsinki |
|
2004 Winter |
Interdisciplinary
Collaborative Process, Interaction
Design Institute, Ivrea, Italy |
|
2003 Fall |
Pockets Full of Memories II
"Aura", c3 Center for Culture and Communication,
Budapest |
|
2003 Fall |
Pockets
Full of Memories II, Honorable mention,
Vida 6.0, Fundacion Telefonica, Madrid |
|
2003 Fall |
Seattle
Public Library Project Proposal Phase I |
|
2003 Summer |
Pockets
Full of Memories, honorable mentions at Ars
Electronica Festival, Linz |
|
2003 April |
Vectors:
Digital Art of Our Time, New
York Digital Salon |
|
2003 February |
Pockets
Full of Memories at DEAF
03, Rotterdam |
|
2002 November |
Arts &
Industry Collaboration Symposium, Co-organizer George Legrady, Lake Arrowhead |
|
2002 Fall-2003
Spr |
Slippery
Traces in Future
Cinema at ZKM, Karlsruhe, Germany |
|
2002 Fall |
Sensing
Speaking Space and panels at ISEA 2002, Nagoya, Japan |
|
2002 Fall |
Chance
Encounters Los Angeles Metrorail Art Commission, Los Angeles |
|
2002 Summer |
Creative
Capital Foundation, Emerging Fields Grant Recipient |
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