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Past Events

2019

  • The Center for Research in Electronic Art Technology (CREATE) presents "Music Easel".
  • Date:  Thursday April 18th 2019.
    Time:  8pm
    Location:  Lotte Lehman concert hall.

    The concert will feature the CREATE Ensemble, three works by UCSB students, and a solo performance by our featured guest, Oregon composer and Buchla synthesis maven Todd Barton. Mr. Barton will perform on a Buchla Music Easel, no digital electronics involved. The concert will be spatialized in eight channels. Free event.

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  • MAT Seminar Series:  "The Curatorial Program at the Beall Center for Art + Technology".
  • Speaker:  David Familian.

    Time:   Monday, April 8th 2019, 1pm.
    Location:  Elings Hall, room 1601.

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    Photo credit:  museumofnonvisibleart.com/interviews/david-familian

    David Familian, Artistic Director of the Beall Center for Art + Technology for the past 11 years, will present a lecture about the curatorial program he has developed at the Beall. He will focus on his approach to organizing group exhibitions as well as the Black Box Project Artists’ Residency program. Additionally, he will discuss the exhibition, Drawn from a Score, featuring artists whose work ranges from analogue to code-based scores.

    David Familian is the Artistic Director of the Beall Center for Art and Technology at University of California Irvine. He started working at the Beall in 2005 where he has curated one-person exhibitions of artists Shih Chieh Huang, Golan Levin, Rafael Lozano-Hemmer, Chico MacMurtrie, Jennifer and Kevin McCoy, Nam June Paik, Eddo Stern, Victoria Vesna and Zimon. He has also curated group exhibitions such as: Grand Text Auto, exploring new forms of gaming and narratives; DataVIz, data visualizations made by artists across media; Live, works that employed live, real-time data; Play in Three Acts, a trio of interactive installations and Sight and Sound, sound art projects ranging from noise to music.

    An artist and educator, Familian received his BFA from California Institute of the Arts (1979) and his MFA from UCLA (1986). For twenty-five years he taught studio art and critical theory in art schools and universities including Otis College of Art and Design, Minneapolis College of Art and Design, Santa Clara University, San Francisco Art Institute and UC Irvine.

    Although Familian started his career as a photographer, since 1990 new media has become integral to his own artistic practice. In 2013 he premiered Echo and Narcissus a new sound video installation with interactive elements at the Art/Sci Gallery at UCLA.

    In 2012 Familian initiated Black Box Projects, in which artists are invited to do residences with scientists in areas such as cognitive robotics, computational genetics, biology and information science. The first exhibition in 2013 was Paul Vanouse’s Evidence, which utilized light boxes, live biological experiments, electrophoresis gels, and interactive performers in the gallery to reveal varying aspects of DNA. The next project was in 2016, Wetware: Art | Agency | Animation a group exhibition of artists that create works in the emerging field of BioArt. This exhibition also included 2 residences that produced work for the exhibition.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • MAT Seminar Series:  "Magnetic Manipulation in Medical Robotics".
  • Speaker:  Jake Abbott, University of Utah.

    Time:   Monday, April 1st 2019, at 3:30pm.
    Location:  Elings Hall, room 1601.

    Microscale and mesoscale robotic devices that navigate the natural pathways of the human body have the potential to push minimally invasive medicine toward becoming truly noninvasive. Because of the small size of these devices, carrying power and actuation sources onboard is extremely challenging. Consequently, there is a great deal of interest in the area of magnetic manipulation, such that the system’s primary source of actuation and intelligence can be located outside of the patient’s body. In this talk, I will discuss a number of research projects that I have been involved with over the past decade exploring methods to use magnetic fields for future minimally invasive medical robotic systems. Topics will include microrobots for retinal drug deliver, microrobots that swim like bacteria, magnetic screws that can drill through soft tissue, a magnetically guided cochlear implant, and an actively controlled capsule endoscope for inspection of the gastrointestinal tract. Systems have utilized both electromagnets and permanent magnets.

    Dr. Jake Abbott is an Associate Professor in the Department of Mechanical Engineering at the University of Utah. He is the head of the Telerobotics Lab, where his research involves medical and microscale telerobotic systems, with a primary focus on the use of magnetic fields for manipulation. His research was been supported by the NSF, NIH, NASA, and industry. Previously, he was a postdoctoral research associate in the Institute of Robotics and Intelligent Systems at ETH Zurich in Switzerland. He received a B.S. degree at Utah State University, an M.S. degree at the University of Utah, and a Ph.D. degree at Johns Hopkins University, all in mechanical engineering. Dr. Abbott is a recipient of the NSF CAREER Award, the Best Manipulation Paper award at the 2010 IEEE International Conference on Robotics and Automation, the Best Poster award at the 2013 Hamlyn Symposium on Medical Robotics, the Best Paper Award at the 2014 IEEE Haptics Symposium, and the Best Paper Award in Medical Robotics at the 2017 IEEE International Conference on Robotics and Automation. Dr. Abbott is an Associate Editor for the IEEE Transactions on Robotics and the International Journal of Robotics Research.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • "Puzzle of Naming: A 3D Data Visualization based on the Analysis of Film Titles", a Masters presentation by Lu Liu.
  • Date:  Monday, March 18th, 2019.
    Time:  9am
    Location:  Elings Hall room 2611, Experimental Visualization Lab.

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    Abstract:

    Naming a movie requires deliberation because the title of a film plays a significant role in attracting audiences at first glance. The title can be a question for the film to answer: What Ever Happened to Baby Jane? (Robert Aldrich, 1962); a plot summary: Alice Doesn't Live Here Anymore (Martin Scorsese, 1974); or reflections of characters’ feelings: Shame (Steve McQueen, 2011). Every single word in a title matters, even the usage of a symbol needs careful consideration.

    However, few projects have conducted information visualizations in analyzing the titles of films to explore patterns and trends in terms of naming them. Puzzle of Naming is an interactive data visualization aims to explore the hidden mechanism forming the titles, especially in the context of releasing time and relevant topics. The primary analysis approach is to investigate every word in the titles via various NLP (Natural Language Processing) methods, such as Latent Dirichlet Allocation, and Doc2vec. All extracted information of the headings, such as length, part of speech, and semantics, are converted into visual representations. The final deliverable is an interactive 3D data visualization with a user interface for interaction developed in Processing.

  • MAT Seminar Series:  "Constructing a Continent via Data Driven Design".
  • Speaker:  Skye Morét.

    Time:   Friday, March 15th 2019, at noon.
    Location:  Elings Hall, room 2611 (Experimental Visualization Lab).

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    How do we explore new and creative ways of portraying complex marine ecosystems, particularly regarding places that most people will never see? In an effort to engage a broad audience with this theme and create energy and synergy in fields beyond the Antarctic context, I exploited opportunities inherent in visual information design: color, contrast, and motion. Here, I explain how, within the framework of Antarctic environmental studies, information design can be used for facilitating conversation and participation, geographical and disciplinary place-making, and as a means of visual storytelling. We now have the opportunity, in a tech-advancing 21st century, to engage in a more pragmatic approach to Antarctic knowledge dissemination—one that sees the value of contextualizing the Antarctic experience through the lens of human engagement both on and off the continent. New modes of Antarctic dialogue and experiential media, particularly those that harness data-driven design and storytelling, will only increase in scientific, cultural, and political value within the context of rising socio-environmental concerns about polar regions.

    Skye Morét is a data-driven designer and marine scientist. Her diverse background on the ocean—having sailed 80,000+ miles around the globe—fuels her belief in the power of art and design in communicating nature and science. Her work investigates the complex relationship between nature and technology-mediated human expectations, experiences, and engagement. Skye is an Assistant Professor in the Collaborative Design + Design Systems graduate program at the Pacific Northwest College of Art and is a Senior Researcher on the Ocean Archive Project with User Group Coop. Her work has been published in Science, Slate, Migrant Journal, Popular Science, Roads & Kingdoms, and Public Radio International, among others.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • MAT Seminar Series:  "From Ego to Eco".
  • Speaker:  Özge Samanci.

    Time:   Monday, March 11th 2019, at 1pm.
    Location:  Elings Hall, room 1601.

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    Humanity's relationship with the natural world is multifaceted. Due in part to our sensory system, we perceive an illusionary boundary between our bodies and the rest of the world. While we are an extension of the universe, we are destroying the eco with our ego. For example, humans forget that we evolved from the oceans and now we are destroying the source of our origins. Our human impact is collective and massive, leading to narrations of environmental cataclysm and points-of-no-return. These repeated environmental narrations are turning into clichés. We are developing a resistance to hearing the core of the problem. Can media art help to overcome this collective immunity? In this talk, I will explore some of my interactive installations made to internalize Donna Haraway’s theory: humans are not superior to any ecosystem and they exist in the intertwined web of all ecosystems as an extension of the planet.

    Özge Samanci, a media artist and graphic novelist, is an associate professor in Northwestern University’s School of Communication. Her interactive installations have been exhibited internationally. In her art works she merges the procedural power of computer code with comics, animation, interactive narrations, sculpture, projection art and performance. Her work motivates awareness on rather gloomy subjects such as the collapsing balance between nature and culture and the impact of ego. Her autobiographical graphic novel Dare to Disappoint (Farrar Straus Giroux, 2015) has been translated into five languages and was positively reviewed in The New York Times, The Guardian, Slate and others.

    ordinarycomics.com/portfolio

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • An exhibition of the projects developed during the VECTOR HACK Workshop was held at SBCAST, March 7th 2019 at 9pm.
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    Video by Doc North

    The VECTOR HACK Jam provided a showcase for a series of sketches made by UCSB Media Arts and Technology and other students and participants during a two week long workshop, sponsored by the Media Arts and Technology Program and the Systemics Public Programming Initiative, with sound+light artist Derek Holzer.

    Participants explored the use of Pure Data and other digital platforms to generate responsive and interactive audio signals which also form an image when used to control the horizontal and vertical movements of a beam of light in either an oscilloscope or a laser display. The works they created probe both the synesthetic experience as well as the medium-specific idiosyncrasies of the devices they utilize.

    VECTOR SYNTHESIS is an audiovisual, computational art project using sound synthesis and vector graphics display techniques to investigate the direct relationship between sound+image. It draws inspiration from media archaeology and obsolete technologies such as the Cathode Ray Tube monitor, combined with contemporary laser display techniques. Audio waveforms control the vertical and horizontal movements as well as the brightness of a single beam of light. What is seen and heard are both an expression of the same electronic signal.

    Derek Holzer (USA 1972) is a sound+light artist based in Helsinki & Berlin, whose current interests include DIY electronics, audiovisual instrument building, the relationship between sound and space, media archaeology, and participatory art forms. He has performed live, taught workshops and created scores of unique instruments and installations since 2002 across Europe, North and South America, and New Zealand.

    Santa Barbara Center for Art, Science and Technology (SBCAST):  sbcast.org

  • MAT Seminar Series:  "Truth Emerges More Readily From Error Than From Consusion" - Francis Bacon.
  • Speaker:  Adam Kearney.

    Time:   Monday, March 4th 2019, at 1pm.
    Location:  Elings Hall, room 1601.

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    The talk will explore how to find ideas - an intersection of entrepreneurship, art, and research.

    Adam Kearney is currently a Knowledge Engineer at Amazon working on Alexa. Formerly, he was the Founder and CEO of Propsboard, which helped companies broadcast employee recognition to their office TVs. Before that, he was the Founder and CEO of The Connectome - a music intelligence platform with over 15,000 musicologists contributing data. The Connectome was acquired in October 2015.

    Adam was on the leadership board of Philly Startup Leaders where he co-founded a Startup Bootcamp, as well as the PSL Accelerator. He also serves on the board of The Hannah Arendt Center for Politics and Humanities at Bard College.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • The Center for Research in Electronic Art Technology (CREATE) presents "New Music for Voice: Technologies and Practices", a lecture by Nicholas Isherwood.
  • Time:   Monday March 4, 2019 at 5pm.
    Location:  Studio Xenakis (room 2215) Music Building.

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    Nicholas Isherwood has sung in the world's leading festivals (Salzburg, Aix, Festival d'Automne, Avignon, Almeida, Biennale di Venezia, Holland Festival, Munich Biennale, Wien Modern, Händel Festivals in Göttingen and Halle, Tanglewood, Ravinia, etc.) and opera houses (Royal Opera House, Berlin, Frankfurt, Stuttgart, Amsterdam, Lyon, Châtelet, Théatre des Champs Elysées, Rome, Torino, Genova, La Fenice, La Scala, etc.), working with conductors such as Joel Cohen, William Christie, Peter Eötvös, Gabriele Ferro, Nicholas McGegan, Paul McCreesh, Zubin Mehta, Kent Nagano, Helmuth Rilling, David Robertson, Gennadi Rozhdestvensky and Arturo Tamayo.

    Isherwood has worked closely with composers such as Sylvano Bussotti, Elliott Carter, George Crumb. Hans Werner Henze, Mauricio Kagel, György Kurtág, Steve Lacy, Olivier Messiaen, Giacinto Scelsi and Iannis Xenakis.

    Isherwood collaborated with Karlheinz Stockhausen for 23 years, singing numerous world premieres. He has improvised with Steve Lacy, Joelle Léandre, David Moss and Sainkho Namtchilak. He has made 55 compact discs for labels such as Erato and Harmonia Mundi and has appeared in three films for television.

    An active pedagogue, he has taught master classes at schools such as the Paris Conservatoire, Musikhochschule Köln, Salzburg Mozarteum and Conservatorio Giuseppe Verdi and held positions at SUNY Buffalo, Notre Dame, Calarts and the Ecole Normale de Musique. His book Techniques of Singing, was published by Bärenreiter Verlag.

  • MAT Seminar Series:  "A Media Archaeology of Vector Graphics".
  • Speaker:  Derek Holzer.

    Time:   Monday, February 25th 2019, at 1pm.
    Location:  Elings Hall, room 1601.

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    The development of any kind of media technology combines utopian and dystopian tendencies, and nowhere is that more true than in the development of computer vector graphics. Taking the activation of the AN/FSQ-7 computers at the heart of the SAGE (Semi-Automatic Ground Environment) defense stations in the United States in 1958 as its starting point, this talk explores the military/scientific legacy at the heart of modern computing and attempts by artists of the 50’s, 60’s, and 70’s to decouple these tools from their destructive origins.

    Derek Holzer (USA 1972) is a sound+light artist based in Helsinki & Berlin, whose current interests include DIY electronics, audiovisual instrument building, the relationship between sound and space, media archaeology, and participatory art forms. He has performed live, taught workshops and created scores of unique instruments and installations since 2002 across Europe, North and South America, and New Zealand.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • MAT Seminar Series:  "Participatory Strategies in Interactive Art".
  • Speakers:  Christa Sommerer and Laurent Mignonneau.

    Time:   Tuesday, February 12th 2019, at 6pm.
    Location:  Engineering Science Building, room 2001.

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    Artists and designers in the area of interactive art have been conducting artistic research in human-machine interaction for a number of years now. Interaction and interface design have not only had their roots in human computer engineering but have also seen parallel developments in media art. It is interesting to see where early notions of interactivity and user participation came from and how artists over the past 40 or more years have already looked at the merits of audience involvement in their artistic work. In this lecture artistic and social notions of interactivity will be addressed and specific examples of the artistic works by Sommerer and Mignonneau as well as the Interface Cultures Department at the University of Art in Linz will be presented.

    Christa Sommerer and Laurent Mignonneau are internationally renowned media artist, researcher and pioneer of interactive art. After working, researching and teaching in the US and Japan for 10 years, they set up the department for Interface Cultures at the University of Art and Design in Linz, Austria. Sommerer is also currently also a Visiting Professor at CAFA Central Academy of Fines Arts Bejing, she was an Obel Guest Professor at Aalborg University in Denmark, and a Visiting Professor at Tsukuba University Department of Empowerment Informatics in Japan.

    Laurent Mignoneau was also Chaire International Guest Professor at the Université Paris 8 in Paris, France. Sommerer and Mignonneau created around 30 interactive artworks, which have been shown in around 300 international exhibitions. They have received numerous awards: the BEEP Award at ARCO Art Fair in Madrid in 2016, the 2012 Wu Guanzhong Art and Science Innovation Prize which was bestowed by the Ministry of Culture of the People’s Republic of China; the 1994 Golden Nica Prix Ars Electronica, among others.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • MAT Seminar Series:  "The Stars Look Very Different Today (David Bowie)".
  • Speaker:  Dr. Barbara Imhof

    Time:   Monday, February 11th 2019, at 1pm.
    Location:  Elings Hall, room 1601.

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    The talk will explore the implications of space as an environment for future habitation both materially and conceptually. Research and development projects of LIQUIFER - implemented as part of the European space exploration programme - highlight topics of living with limited resources, in limited spaces and living self-sufficiently. The basis of LIQUIFER’s work constitute concept studies for lunar and Martian bases as well as building prototypes set within future scenarios for living on earth and in space. Arts-based and basic research in the fields of biomimetics and integrating biological systems into architecture add to the circular systems perspective of future narratives for our extended world.

    Barbara Imhof is a space architect, researcher and educator. She is also the co-founder and co-manager of LIQUIFER Systems Group that comprises experts from the fields of architecture, design, human factors, systems engineering and science. Their space related projects focus on feasibility and scenario studies as well as designing and building mock-ups and prototypes. LIQUIFER partners with renowned research institutions and well-known enterprises to conduct research and technology development through contracts with the European Space Agency, the space industry and with the EU-Framework Programmes and other funding bodies.

    As project lead Barbara currently works on the Gateway project, designing the habitat module for the next International Space Station in a lunar orbit. She also led projects such as SHEE, a Self-deployable Habitat for Extreme Environments, the first built European simulation habitat. The SHEE habitat became part of another LIQUIFER project named MOONWALK, developed to test human-robot collaborations in two space simulation missions in Rio Tinto and subsea. In addition, Barbara pursues projects in the field of biomimetics and losed-loop systems such as Living Architecture - in collaboration with Rachel Armstrong - and GrAB–Growing As Building which looks at growth principles in nature and their proto-architectural translations towards self-growing buildings.

    www.liquifer.com

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • MAT PhD student Shashank Aswath will present a talk about his research in the Lunch and Learn seminar series at the UCSB Library. Friday February 8th 2019, 12-1pm, room 1312. Lunch provided.
  • Presentation title: How do we listen? A look into the world of 3D audio.

    Summary: Just like we look at objects in 3D in daily life, we also listen to sounds in 3D. Listening in 3D helps us accurately locate where sounds are coming from. Accurate reproduction of this over loudspeakers and headphones makes our listening experience more realistic and immersive. In this talk, I will give a brief overview on how we listen. I will also give a brief history of the field, current research that is being carried out and a look into the future. Lastly, the talk will include a listening demo in an 8.0 configuration.

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  • AWMAT 2019: Impact!, the Alliance of Women in Media Arts and Technology Conference, will take place at UCSB from February 7-9, 2019.
  • Seeking to explore and illustrate how the innovative works of women in media arts, science and technology influence the community, the UC Santa Barbara-based Alliance of Women in Media Arts and Technology (AWMAT) will hold its second annual conference.

    AWMAT 2019: Impact! will take place Feb. 7–9 in multiple venues across the campus, featuring dozens of talks, presentations, workshops and performances — many of which are free and open to the public — by women technologists, engineers, artists and musicians. Emphasizing how emerging art forms work in conjunction with technology to shape culture, artistic representation in multimedia will be highlighted through interactive installations, virtual reality and sonic arts.

    Keynote speakers are Branda Miller, media artist and educator, and Pamela Z, media artist, composer, performer.

    For more information about the event, visit:  awmat2019.wordpress.com.

    UCSB News:  www.news.ucsb.edu/2019/019336/influential-women.

  • The Alliance of Women in Media Arts and Technology (AWMAT) presents Pamela Z in Concert.
  • Time:   February 8th, 2019, at 8pm
    Location:  Room 1145, Music Building.

    Pamela Z is a composer/performer and media artist who works primarily with voice, live electronic processing, sampled sound, and video. A pioneer of live digital looping techniques, she processes her voice in real time to create dense, complex sonic layers. Her solo works combine experimental extended vocal techniques, operatic bel canto, found objects, text, digital processing, and wireless MIDI controllers that allow her to manipulate sound with physical gestures.

    In addition to her solo work, she has been commissioned to compose scores for dance, theatre, film, and chamber ensembles including Kronos Quartet, the Bang on a Can All Stars, Ethel, and San Francisco Contemporary Music Players. Her interdisciplinary performance works have been presented at venues including The Kitchen (NY), Yerba Buena Center for the Arts (SF), REDCAT (LA), and MCA (Chicago), and her installations have been presented at such exhibition spaces as the Whitney (NY), the Diözesanmuseum (Cologne), and the Krannert (IL). Pamela Z has toured extensively throughout the US, Europe, and Japan. She has performed in numerous festivals including Bang on a Can at Lincoln Center (New York), Interlink (Japan), Other Minds (San Francisco), La Biennale di Venezia (Italy), Dak’Art (Sénégal) and Pina Bausch Tanztheater Festival (Wuppertal, Germany). She is the recipient of numerous awards including a Robert Rauschenberg Foundation residency, a Guggenheim Fellowship, the Doris Duke Artist Impact Award, Herb Alpert Award in the Arts, an Ars Electronica honorable mention, and the NEA Japan/US Friendship Commission Fellowship. She holds a music degree from the University of Colorado, Boulder.

    Admission: General $15, Students w/ID $7

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    www.pamelaz.com

  • The Center for Research in Electronic Art Technology (CREATE) presents a screening of the pioneering film Forbidden Planet (1956). Free admission.
  • Time:   Wednesday, February 6th 2019, at 7pm.
    Location:  Lotte Lehman Concert Hall.

    The central theme of Forbidden Planet is the impact of artificial intelligence (AI) on civilizations. Forbidden Planet was the first science fiction film to depict humans traveling in a faster-than-light starship of their own creation. It was also the first to be set entirely on another planet. The Robby the Robot character is an integral supporting character in the film. The robot could analyze any substance and re-synthesize it.

    Most importantly, Forbidden Planet was groundbreaking as the first film of any genre to use an entirely electronic musical soundtrack, composed by Bebe and Louis Barron.

    Bebe Barron was invited to UCSB in 2000 to realize her final work, Mixed Emotions, using the Creatovox granular synthesizer developed by Professor Curtis Roads and Alberto De Campo, CREATE Research Director.

    This showing is dedicated to her memory.

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  • MAT Seminar Series:  "Start it Up", a round table discussion on the pathways towards starting a business connected to research conducted within the University at large and MAT in particular.
  • Time:   Monday, February 4th 2019, at 1pm.
    Location:  Elings Hall, room 1601.

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    Round table participants:

    • Sherylle Mills Englander, UCSB Office of Technology & Industry Alliances
    • Tal Margalith, CNSI executive director of technology, CNSI Technology Incubator
    • Matthew Turk, Chair Computer Science Department, Professor MAT
    • David Adornetto, Enterpreneurship Program Director, Technology Management Program
    • Alan Macy, Research and Development director and founder of Biopac Systems Inc.
    • George Legrady, Professor MAT

    Moderator: Marko Peljhan, Chair and Professor, MAT.

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.

  • MAT Seminar Series:  "What is Happening Over There?".
  • Speaker:  David Bowen

    Time:   Monday, January 28th 2019, at 1pm.
    Location:  Elings Hall, room 1601.

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    Using intersections between natural and mechanical systems, David Bowen produces unique relationships within his sculpture and installation. With robotics, custom software, sensors, tele-presence and data, he constructs devices and situations that are set in motion to interface with the physical and virtual world. The devices he constructs often play both the roles of observer and creator, providing limited and mechanical perspectives of dynamic situations and living systems. These devices and situations create a dissonance that leads to an incalculable changeable situation resulting in unpredictable outcomes. The phenomenological outputs are collaborations between the natural form or function, the mechanism and the artist.

    David Bowen is a studio artist and educator whose work has been featured in numerous group and solo exhibitions nationally and internationally. Bowen’s work consists of interactive, reactive and generative processes that emerge from intersections between natural and mechanical systems. He is currently an Associate Professor of Sculpture and Physical Computing at the University of Minnesota.

    www.dwbowen.com

    For more information about the MAT Seminar Series, go to:  seminar.mat.ucsb.edu.