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Media Arts and Technology

Graduate Program

University of California Santa Barbara

Events

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Oliver Ressler is an artist and filmmaker whose work has focused on global warming as a central theme ever since he first began to exhibit. One of his first solo exhibitions was “100 Years of Greenhouse Effect” at Salzburger Kunstverein (1996). Several exhibitions, films, installations, billboards and photographic works on the theme have followed since then.

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Oliver Ressler will talk about these works, putting a cycle of films – "Everything's coming together while everything's falling apart" (2016 – 2020) – at the center of the presentation. These films follow the climate justice movement in its struggles to dismantle an economic system heavily dependent on fossil fuels.

In the first film activists contest the UN Climate Change Conference in Paris in 2015, that proved the incapacity of governments to commit themselves to any binding agreement that would curtail global warming. The film on the Ende Gelände action in 2016 shifts the focus to a massive civil disobedience action at the Lusatia lignite coal fields (near Berlin), where 4,000 activists entered an open-cast mine. The film on the ZAD focuses on Europe’s largest autonomous territory that emerged from the struggle against the new airport of Nantes in France. The film about Code Rood highlights a civil disobedience action in the port of Amsterdam in June 2017, Europe’s second-largest coal port. The film on Limity jsme my leads us into the blockade of Bílina coal mine in Czech Republic and the detainment of the activists. The sixth film celebrates the Venice Climate Camp; 200 activists forced their way into the Venice Film Festival enclosure, where they occupied the red carpet for nine hours.

Three of the films:

Everything's coming together while everything's falling apart: Code Rood:  https://youtu.be/skz3qVMEtHY.

Everything's coming together while everything's falling apart: The ZAD:  https://youtu.be/Quehf2OMUbo.

Everything's coming together while everything's falling apart: COP21:  https://youtu.be/_HWOXeP5pA8.

Bio

Oliver Ressler lives and works in Vienna/Austria. He produces installations, projects in public space, and films on issues such as economics, democracy, migration, the climate catastrophe, forms of resistance and social alternatives. He has had comprehensive solo exhibitions at Centro Andaluz de Arte Contemporaneo – CAAC, Seville; Wyspa Institute of Art, Gdansk; Lentos Kunstmuseum, Linz; MNAC – National Museum of Contemporary Art, Bucharest and SALT Galata, Istanbul. Ressler has participated in more than 400 group exhibitions, including Museo Reina Sofía, Madrid; Centre Pompidou, Paris; Van Abbe Museum, Eindhoven; MASSMoCA, North Adams, USA; the biennials in Prague (2005), Seville (2006), Moscow (2007), Taipei (2008), Lyon (2009), Venice (2013), Quebec (2014), Jeju (2017), Kyiv (2017), Gothenburg (2019), Stavanger (2019), and at Documenta 14, Kassel, 2017 (exhibition organized by EMST). Ressler currently works on “Barricading the Ice Sheets”, a research project on the climate justice movement, funded by the Austrian Science Fund. He was the first prize winner of the Prix Thun for Art and Ethics Award in 2016.

www.ressler.at

www.instagram.com/oliver.ressler

For more information about the MAT Seminar Series, go to:
seminar.mat.ucsb.edu.

Past Events  

News

"Uncertain Facing" is a data-driven, interactive audiovisual installation that aims to represent the uncertainty of data points of which their positions in 3D space are estimated by machine learning techniques. It also tries to raise concerns about the possibility of the unintended use of machine learning with synthetic/fake data.

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sihwapark.com/Uncertain-Facing

sa2020.siggraph.org/en/attend/art-gallery

neurips2020creativity.github.io

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Photo: Jade Martinez-Pogue / Noozhawk

Located in La Cumbre Plaza at 120 South Hope Ave Suite F119, the museum creates a hands-free interactive experience that explores the next generation of media arts. The art pieces are primarily by local artists, including one by MAT students Xindi Kang and Rodney Duplessis titled "Oscilla", in which a person speaks into a microphone, and watches the frequencies of his or her voice displayed in multi-color on a large screen.

Read more about MSME in this Santa Barbara Noozhawk article.

Website:  seehearmove.com

EmissionControl2 is a granular sound synthesizer. The theory of granular synthesis is described in the book Microsound (Curtis Roads, 2001, MIT Press).

Released in October 2020, the new app was developed by a team consisting of Professor Curtis Roads acting as project manager, with software developers Jack Kilgore and Rodney Duplessis. Kilgore is a computer science major at UCSB. Duplessis is a PhD student in music composition at UCSB and is also pursuing an MS degree in Media Arts and Technology.

EmissionControl2 is free and open-source software available at: github.com/jackkilgore/EmissionControl2/releases/latest

The project was supported by a Faculty Research Grant from the UCSB Academic Senate.

The lab also received honorable mentions for two papers on interpersonal touch by authors Hachisu, Reardon, Shao, and Suzuki and Dinulescu, Reardon, and Topp.

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re-touch-lab.com

Past News  

Showcase

Exhibition Catalogs

End of Year Show

About MAT

Media Arts and Technology (MAT) at UCSB is a transdisciplinary graduate program that fuses emergent media, computer science, engineering, electronic music and digital art research, practice, production, and theory. Created by faculty in both the College of Engineering and the College of Letters and Science, MAT offers an unparalleled opportunity for working at the frontiers of art, science, and technology, where new art forms are born and new expressive media are invented.

In MAT, we seek to define and to create the future of media art and media technology. Our research explores the limits of what is possible in technologically sophisticated art and media, both from an artistic and an engineering viewpoint. Combining art, science, engineering, and theory, MAT graduate studies provide students with a combination of critical and technical tools that prepare them for leadership roles in artistic, engineering, production/direction, educational, and research contexts.

The program offers Master of Science and Ph.D. degrees in Media Arts and Technology. MAT students may focus on an area of emphasis (multimedia engineering, electronic music and sound design, or visual and spatial arts), but all students should strive to transcend traditional disciplinary boundaries and work with other students and faculty in collaborative, multidisciplinary research projects and courses.

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